状态：HD中字
类型：喜剧
导演：彼得·索兰
主演：扬·布兹杜赫 约瑟夫·克姆尔 JarmilaKostova DagmarKákosová 威廉·波洛尼 雅罗斯拉夫·罗日瓦尔 HanaSarvasová 米利沃伊·乌泽拉茨
简介：在交响乐团负责敲击三角铁的小人物高斯庸碌无能，练习还经常缺席，然而上天仿佛特别眷顾他，让他当上乐团领导，还有伊人加持；本来傻兮兮没有自信的他也开始傲慢起来，甚至表现出独有的艺术野心。人世的荒谬不在成败是否有理，而在于不论成败，最终个人命运还是半点不由人。高斯作为个案，凸显的岂止是国家权力机器下的非人性？由于题材敏感，制作延滞达七年之久，而彼得苏兰也因本片成为一个个案，以讽喻作抗争，从此有了参考的座标。
状态：正片
类型：
导演：彼得·索兰
主演：亚娜·吉罗娃 伊特卡·泽莱诺霍尔斯卡 斯塔诺·丹恰克 马里安·洛布道 尤利乌斯·潘季克 瓦莲京娜·蒂洛娃 弗拉迪米尔·杜尔迪克 ErnaSuchánová 威廉·波洛尼 ErnestKostelník EduardPavlícek GejzaMaráky JurajKrál MichalBelák ArnoldJakubFrano 卡罗尔·什皮沙克 伊万·克里沃苏德斯基 奥莉加·弗龙斯卡
简介：索兰的新浪潮三部曲之二。另两部是《巴纳巴斯考斯事件》和《拳击手与死神》。 The action of the film takes place in the course of one night at a fashionable nightclub in Bratislava. The leading characters are two young girls who are spending their holiday in Bratislava and two boys who live there.
状态：已完结
类型：
导演：爱德华·格莱纳
主演：拉多万·卢卡夫斯基 古斯塔夫·瓦拉赫 艾米丽娅·瓦萨约娃 威廉·波洛尼 JelaBuckova JozefCierny PavelChrobak 米库拉斯·洛迪津斯凯 IvanMacho JánMildner AndrejMojzis JanPelech 卢多维特·赖特尔 斯特凡·克维季克 MilanMach
简介：与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。 A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).